With her positive messages and dark themes, Louise O’Neill is leading a new wave of young adultfiction
Sarah Hughes
Sunday 21 June 2015 00.04 BST
The idea for her first book came to Louise O’Neill in a cafe in New York on a cold January
morning in 2011. Then 26, O’Neill was working at Elle magazine in Manhattan and had
recently started to relapse back into the anorexia she first suffered from at the age of 14.
“I was really very, very thin at this point,” she says. “The weather was really bad and I was
sitting in Starbucks reading a trashy magazine, In Style or something like that. It had all these
pictures of celebrities on their winter holidays in St Barts in bikinis and their different body
parts were picked out with red circles highlighting their muffin tops and their cellulite and I
looked over at the next table and there was a girl eating a muffin.
“I was sitting there nursing my green tea and I was fascinated because she made it look so
casual. I couldn’t understand – why wasn’t she having an existential crisis about eating it? At
that moment I had this vision of a teenage girl standing in a bikini in front of a class of other
girls while a nun-like figure drew circles on her body and the rest of the class banged their
desks and yelled ‘fat’, ‘fat’, ‘fat’. It was just incredibly vivid so I got out my notebook and
started writing. An hour and a half later I’d filled the book.”
The result of that moment of inspiration, Only Ever Yours, a dark examination of notions of
female beauty set in a future where girls are manufactured not born, became one of the most
critically acclaimed young adult novels of recent years drawing comparisons with Margaret
Atwood’s dystopian classic The Handmaid’s Tale and praised by everyone from Jeanette
Winterson to Marian Keyes.
It was shortlisted for both this year’s Waterstones children’s book prize and the Children’s
Books Ireland book of the year and won the inaugural Young Adult book prize while the Irish
Book Awards named O’Neill newcomer of the year. In the US it sold out on pre-order and was
reprinted before its publication in May. Small wonder then that her publisher Quercus,
convinced of the book’s crossover appeal, will bring out an adult edition on 2 July, an honour
previously bestowed on the bestselling likes of JK Rowling and Suzanne Collins, author of
The Hunger Games.
“I’m trying not to get too caught up in it all,” O’Neill says. “I’m really grateful that people
understand the work and the message I’m trying to put across because I felt passionately that
we needed to talk about the way in which we view women’s bodies. We spend our lives
looking at images of 6ft tall, size six Victoria’s Secret models and our self-esteem and selfworth
starts to dip.
“I’d say that of the women I know only three or four aren’t affected in some way by the idea
that they should look a certain way. Many women make a correlation between moral worth
and weight and I really wanted to explore that. I didn’t set out to write a young adult novel
when I wrote Only Ever Yours but I was in a way writing for myself at 16.”
That willingness to tackle dark and difficult themes – her second novel, the brilliant,
harrowing Asking For It, due out 3 September, is set in present day Ireland (O’Neill is from
the small town of Clonakilty in Co Cork) and focuses on a rape at a party – has placed O’Neill
at the forefront of a young adult publishing revolution. For it’s not just that young adult
novels are among the most popular genre in publishing (and read by teenagers and adults of
both sexes alike), it’s that increasingly they are tackling important issues with honesty,
humour and a steely precision that other supposedly more serious novels frequently lack.
Thus Becky Albertalli’s Simon vs the Homo Sapiens Agenda is a subtle, affecting look at a
young gay teenager’s first steps towards coming out, Lisa Williamson’s The Art of Being
Normal tells the moving story of a young transgender teen, Naomi Jackson’s The Star Side of
Bird Hill looks at notions of race and identity as two sisters move from Brooklyn to Barbados,
while Keris Stainton’s Reel Friends series depicts teenage female friendships that feel
modern and utterly true.
“There’s definitely a difference in how YA books are portraying female characters,” says
O’Neill. “They’re more aspirational in that they present more of a reflection of something a
teenage girl can look up to, saying this is what a healthy and positive relationship looks like.
This is a healthy and positive way to be a girl.”
Not that they’re shying away from dark themes. “Oh God, no,” says O’Neill. “I decided to
write Asking For It because I wanted to talk about the idea that rape isn’t just being pulled
into an alleyway by a stranger, that there are many different levels. All of my friends have
stories of sexual assault and sexual experiences that weren’t right. They’ll say this is what
happened when I was 17 and the terrible thing is I’m not surprised. I’m not surprised that
they were sexually assaulted, or raped, that their drinks were spiked or they were too drunk
to consent. We need to talk about the idea that sex isn’t something that men forcibly take
from women. We tell girls ‘don’t get raped’, when we should be teaching boys ‘don’t rape’.”
Her books are equally unflinching about life in the social media age. “Social media is a
double-edged sword,” says O’Neill, herself an enthusiastic user of Twitter. “There are
extremely positive elements to it, particularly the way in which it makes it easier for us to
connect and build our own communities. Even selfies can be positive – I think there’s
something brave and amazing about teenage girls posting pictures of themselves saying,
‘This is how I look and I am beautiful’ but it’s also true that it can exacerbate feelings of not
being good enough. There’s so much toxic competitiveness when you’re a teenage girl, so
much are my thighs smaller than hers? Am I prettier? Do boys like me more? Social media
adds to the pressure and then society tells young women that they must look sexy and act
sexy but that they can’t be sexual beings.”
Comments such as this help explain why O’Neill’s books are read as much by the anxious
mothers of teenage girls as by the girls themselves. “The key is to be honest,” she says when
asked what advice she would give those parents. “I would hope mothers who read my books
understand the pressures their daughters are under and why they are acting or behaving the
way they are. Try to encourage honest communication, be open and interested, try to
understand.”
And what would she tell the teenagers of either sex who devoured Only Ever Yours. She
laughs. “The most important thing is to care less about what other people think of you and
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focus more on yourself, your values and ethical system then live according to that,” she says.
“It sounds very ‘to thine own self be true’ but it’s the only way to live. When I wrote Only
Ever Yours it was at a time when I was so sick and tired of feeling shame around my body
and so weary of fighting the fact that women are seen as less in so many ways. I wanted to
articulate how that felt. For years we’ve been told that our stories aren’t as important, that
the concerns raised by Marian Keyes are lesser than those raised by Nick Hornby. I wanted to
tell teenage girls that their stories aren’t trivial. Their voices are worthy of being heard. I
wanted to say speak up, you don’t have to silence yourselves.”
FIVE OF THE BEST IN YOUNG ADULT FICTION
Shadowshaper by Daniel José Older
Acclaimed fantasy writer Older makes his young adult fiction debut with this wonderful tale
of Brooklyn teenager Sierra Santiago whose summer is interrupted by magic and ghosts.
Am I Normal Yet by Holly Bourne
An involving look at feminism, friendship and the secrets we hide even from those who know
us best.
More Happy Than Not by Adam Silvera
A gut-wrenching story telling of race and sexuality, which is set in the Bronx, in New York, in
the near future.
For Holly by Tanya Byrne
The latest from one of the genre’s rising stars, a suspense-filled family drama with a
gloriously angry teen at its heart.
Suicide Notes from Beautiful Girls by Lynn Weingarten
After her best friend kills herself June tries to uncover the truth in this dark thriller that’s
been described as Gone Girl meets 13 Reasons Why
